Can you write in public places? Maybe it matters if we're talking laptop or longhand.
Blogging at work doesn't count. I'm thinking back to coffeehouse mornings, quad espresso singing in my head, camped out in a nook with the
New York Times covering the table and my journal propped open, pen madly scratching some kooky notion or other into semblances of legible script.
Not that I've never blogged at work. That came later.
If you could only see what an
ad hoc contraption my laptop is. The very idea of mobilizing it to a public place is insane. Since the screen is dead, I've got a thousand wires hooked to this large monitor; since I get cranky pointing with anything other than a mouse, it is jacked in wirelessly, with the port's green sensor winking at me from the base of the screen. It would require a wheelchair or grocery cart to lug this business anywhere. Would I even want to be seen at an establishment that lets people park their carts outside? No, I'm not ready to become a
traveling circus.

It wasn't until last year that I got the idea to edit
the novel anywhere but
at home. I was already in the habit of coming to the office an hour early and using that time to get a bit of writing done. (It turns out that my brain only really functions until 8am, at which point it's only good for routine tasks and Facebook.)

That left me with a stack of writing I wanted to edit first thing after work. The novelty on public transit wore out fast and it wasn't until I became a regular at
West 5 that I discovered two great tastes that taste great together.
I average twenty pages a visit. Not bad. I've had a couple Dewar's with a Manny's chaser by then and shift to my notebook for composing in the abstract, thoughts, gripes, blog subjects, etc.
It's been several months now of this habit. The staff know me by now. One approached me the other day and mentioned that this was an interesting place to
correct papers.
"Papers?"
"Yeah," she said, "aren't you correcting papers?"
Ha! I didn't know I was traveling incognito! Of course, being mistaken for a teacher is flattering and far more respectable than what I really am.
Writing is by its nature private. Any scribe worth their salt has a sanctum. I read in an interview somewhere that
Iggy Pop is very specific where he plants himself to write:
a cold attic. He says (and I'm paraphrasing) that words are only accessible in an unfamiliar setting, one that unsettles you a bit.
West 5 is not a cold attic, far from it, but I can get behind the idea.
There's an urgency that comes with writing outside the comfort zone. Not being an itinerant, it's not always that simple to find somewhere that fits the bill but I think using a public place makes me just restless enough to get the focus I need for good editing.

Before you kill me, I recognize that writing and editing are
different; one is pouring in, the other cutting out. The source material has to come when I'm sitting at my desk, speakers blaring Vivaldi, Orbital, or something in between, door shut tight against the world. I'm in a bathosphere at the bottom of the sea. It's me and Major Tom in a tin can. I've parked my sand buggy on Olympus Mons with only Martian ghosts to bother me, which is hardly ever... you get the idea: writing is the
Phantom Zone of the soul.
West 5 is not the Phantom Zone.
Far from it.
Which makes it perfect for editing.
Excuse me, I mean "correcting papers."