Wednesday, September 08, 2010

Blue Roots: Avatar Dreams (II of III)

World, I don't believe we finished discussing dancing smurfs. Deep subject. For one thing, they're blue. As it turns out, we like blue people. We like just about anything that's cerulean or navy or periwinkle. Of course these are shades, pigments, variations on a theme, and we should go to the source to gauge their positive influence.
The color blue is woven throughout Avatar, as is bombast: blue bombast, let's say, is the defining motif of the film. James Cameron traffics in blue bombast and has done quite well for himself by it. The writer/director of the film I find myself carrying on at great length about (second part of three!), Apocalypto, is in the same club, with a thing for telling stories in wide strokes about people colored blue.
Is Mel Gibson blue? He could have a little blue man inside him, for all we know. On the flipside, I'm sure he's feeling blue for his misdeeds of late, if the man has a heart at all. When it comes to emotions, feeling bluesy is not so hot. We'll restrict our interpretation to aesthetic.
Superman dresses in blue. The Virgin Mary has a closet of blue linen. Smurfs, they've got it in their skin. The flags of several nations are red, white and blue...
Blue is good.
Mel Gibson painted half his face blue in Braveheart. He kicked butt in a bombastic fashion.
Blue bombast is good.
In Apocalypto blue is not so great. It's even quite bad.


The setting is 16th century Mesoamerica. Jaguar Paw lives in peace and harmony with family and friends -until Mayans raid their village and take them for slaves. That always happens, doesn't it? After an arduous jungle slog, they pass through a giant lime quarry before reaching the city, where they are immediately painted. You will never believe what color.
But it's very bad for them to be colored blue.
Tune in next post to find out why.

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