Monday, May 11, 2009

Homogeneous Science Fiction

The most original retrofit to Star Trek in the new film is a sidekick for Scotty. This igneous-headed, onyx-eyed dwarf serves some purpose, I'm sure, purloining cask malt whisky perhaps. Lacking any clear function beyond being so ugly it's cute, the little guy has become my poster alien for what is wrong with the movie: the creative minds rebooting this classic science fiction series have done everything they can to make Star Trek so much like other action-adventures in space that it is nearly indistinguishable. Misunderstood young hero with a destiny to fulfill? Claustrophobic fisticuffs, zany pratfalls, menacing CGI-beasts and epic explosions in space? All of these and much more can be enjoyed at a theatre near you.

Don't misunderstand: we're talking about a very entertaining couple of hours, made even moreso at an IMAX cinedome. This is a spectacular adventure. When you emerge, it might trouble your thoughts a moment to remember what the movie was -Star What? It not only shares several tropes with Star Wars but piques crowds not necessarily inclined toward scifi with hyper-action that owes more to the Bourne Identity series than any other.
Let's talk about what has made Star Trek work in the past. Do you know anyone that doesn't hold Star Trek II: The Wrath of Khan as the peak achievement of the series? This is assuming, of course, that you know people who care that much about Star Trek. What makes it stick? Literate script and a memorable villain are two qualities that leap to mind. Jump ahead and consider the villain of Star Trek (which is not numbered or sub-headed), a Romulan with a huge grudge who meets his fate gaping at a flash of light. Really? Compare this with Khan, who dies creating a new planet and quoting Melville. Then again, don't bother -because there is no comparison.

I don't mean to compare Star Trek with older episodes so much as hold it up to scifi greats in general. The second Star Trek film (I'm weird and prefer the first) holds up to, say, the second Star Wars film, The Empire Strikes Back, which is arguably one of the finest scifi films there is; it isn't laughed off the screen if 2001 or Blade Runner are mentioned, and not merely because it has a great villain. It has substance and leaves us with something more. What Star Trek leaves me with is a homogeneized afterglow indistinguishable from many other action-oriented movies I've seen in the last few years. Don't hate me if I'm looking for something more!

The basis of science fiction is to explore unknown territory rather than repeat what has come before or strive to resemble other presentations of familiar narratives. The best example of this is Dune. It's space opera, yes; it's a recycled messiah myth, yes; it's a philosophic tractate on the nature of reality... well, yes, and isn't that all at once wonderful and strange? It breaches the limits of our expectations and takes us where we never imagined we could ever go. This to me is the essence of what makes great science fiction, which more than any other genre has the potential to show new ways of thinking, feeling, and experiencing what is beautiful about life.

I was entertained by Star Trek, and for a popcorn matinee that is sufficient. For science fiction it is retrograde in more than its recreation of what came before; that it strives mightily to be another blockbuster entertainment and fails to astonish or take any chances at all is what disappoints. We need more than a rock-noggined sidekick to tell this one apart, but sadly that's all we get.

3 comments:

Andy said...

I honestly don’t have a problem with slam-bang action, and I don’t think you need a ready-room scene or long philosophical discussions to make it a Star Trek movie. However, what I do want is a villain with clear motivations, and a plot that moves along because of its own momentum, not because of artificial devices. (I’m looking at you, Escape Pod That Lands Conveniently Close to Spock Prime.) Sure, Khan was insane, but you at least understand WHY he blamed Kirk for the death of his wife. Add that to his genetically-altered megalomania, and you have the makings of a great story. A personal story.

But with Star Trek, you have a villain whose motivation is questionable, and whose methods are even worse. Think of all the havoc he could have wrought after being thrown back in time! Seed Romulus with advanced weapons technology! Sow dissent among the Proconsul! Invest in the stock market! But no, he has to wait around for 25 years, then throw a universe-sized tantrum because his wife will have been being killed (even though she’s not even born yet). That seems uneasonable, and stretches the bounds of logic

nkinmtl said...

Good points all. I had a rollicking good IMAX-fueled time as well, but still not quite good enough to ignore the multiple deus-ex-machina plot devices (convenient escape pod Spock-proximity, dubious black hole physics, even more convenient obscure Starfleet regulations that allow Kirk to board spaceships and assume command, etc., ad nauseaum). And the Enterprise officers seemed rather cavalier about abandoning the bridge and leaving someone else in charge; I was half-expecting the chain of command abandonment to leave little cute-ugly dude sitting in the hallowed chair.

What I did appreciate about the film was its lack of reverence for the rest of the series, and willingness to do a full and complete reboot. Whether this was the result of courageous defiance of Trekkerdom or simple laziness, it made the film less predictable then the rest of the franchise.

wngl said...

nkinmnl, having the wee igneous fellow in the captain's chair would have been consistent with the abandonment of what has come before and hilarious besides. I did appreciate that this film doesn't suffer the same kind of precious nostalgia that marred Superman Returns. The series "reboot" is in an excellent position to bring us a fresh take entirely unburdened by canon in the next film.